It has a nice large grip and fully articulating 1.62 million dot rear display that should make it an outstanding vlogger camera. It has mode-selection dial where the LCD display sits on the R5 and, thankfully, a joystick is used in place of EOS R’s not-well-liked touchbar. It looks very similar to the R5, but weighs quite a bit less at 680 grams compared to 735 grams.
Thankfully, the R6 has in-body stabilization (IBIS) that works for both photos and video. Canon has promised up to 8 stops of stabilization, provided you’re using a compatible RF lens with it — easily beating Sony’s A7 III, the Nikon Z7 and Panasonic S1. It has a decent 3.69 million dot OLED EVF, dual UHS II card slots and the same LP-E6NH battery found on the EOS R. Canon has yet to say how many shots per charge you’ll get, but if it’s not enough, it’s offering the BG-R10 camera grip as an option.
The R6 matches the R5’s shooting prowess with burst speeds of up to 12 fps with the mechanical shutter and 20 fps using the electronic shutter. That’s supplemented by Canon’s excellent Dual Pixel autofocus (AF) system with 100 percent coverage and 1,053 AF areas, that works in all photo and video resolutions. It has face and eye detection, along with “head detection” autofocus brought over from the 1DX Mark III — helping the camera keep a subject in focus even if they turn away. Like the R5, the R6 has Canon’s all new animal detection mode.
Canon
Video is an area where the EOS R6 goes beyond what Sony can do. Like the 1DX Mark III, it can shoot 4K at 60 fps and 1080p at 120 fps. It can handle 10-bit video using Canon’s C-Log mode both internally and externally, though unlike the R5 or 1DX III, it has no RAW capability. Still, C-Log and 10-bit video will allow videographers to shoot HDR video and have plenty of options when color-correcting the footage in post.
Better yet, 4K video only cropped a little, using 93 percent of the width of the sensor, unlike the EOS R with a huge 1.7X crop. At the same time, video is demosaic-ed and then downsampled from a 5,130 x 2,886 size, which should result in very crisp video. On top of C-Log, Canon has introduced “HDR PQ” capture, letting you view footage that can be viewed directly on HDR TVs, with little color grading needed.
Canon
All that should make the EOS R5 much better for video than Sony’s A7 III (albeit it at a higher price), and on par with the similarly priced Panasonic S1. However, Canon’s Dual Pixel system should outperform the contrast detect AF found on Panasonic’s cameras.
On top of the cameras, Canon unveiled a raft of new lenses for the R5 and R6. The two weirdest and most interesting models are the RF 600 f/11 and RF 800 f/11 models, priced at $699 and $899, respectively. While that f/11 number seems crazy slow, the lenses are incredibly light at 930 grams and 1,260 grams, respectively, and the prices are very cheap for lenses that long, too. Canon also revealed the $599 RF 85mm f/2 IS STM prime model, a $2,699 RF 100-500mm f/4-7.1L zoom and RF 1.4X and 2X extenders.
As for pricing, the EOS R6 will cost $2,499 without a lens, $2,899 with the RF 24-105mm f/4-7.1L IS lens or $3,599 with the RF 24-105mm F/4L IS USM lens. It’s expended to ship at the end of August, 2020.
The Link LonkJuly 09, 2020 at 07:52PM
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Canon takes on Sony's A7 series with the full-frame EOS R6 camera - Engadget
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